What You May Have Overlooked At NAB 2012
Tue, Apr 24 2012 11:17 | Della Luce, Hocus Products, Kino Flo, MYT Works, NAB, Rotolight, Sekonic, Stype Kit, Swedish Chameleon, TCC, TV Logic, Zeiss
While we were all getting excited about the latest camera offerings at NAB there were a lot of other items that did not get the same hype or exposure but still caught my eye and are worth taking a look at. Some of these offerings are completely new, while others are not as new, but I had not heard about them until this NAB. So take a look at what you may have missed while walking the floor at NAB ...
Portland Lens Test 2011
Thu, Dec 22 2011 06:56 | Cooke, Epic, Getting Elemental, Illumina, Lecia, Lens, Portland Lens Test, Red, Schneider, Test, Unique, Zeiss
On December 10, 2011 Indent Studios organized a lens test that was very eye opening and educational for all that attended. I feel fortunate that I could partake in making it a successful event. :) With the release of "affordable" cameras like the Epic-X, Scarlet, C300, and F3 (among many others) everyone is wondering what "affordable" lens package they should invest in, or rent for their camera. Indent Studios organized this event to use 3 Epic-X's to shoot with 7 sets of lenses and find out the answer. After handling the lenses, and reviewing the footage we all came across some surprising results.
Check out the footage for yourself and download the R3Ds after the jump...
Zeiss ZF.2 Lens Test Chart
[HIGHLY RECOMMEND WATCHING IN FULL SCREEN]
Charts are not very sexy I know - but they are very useful. I completed this test to evaluate where these lenses perform the best so that I can get the most out of them. When wide open, the chromatic aberration, and the slight softness that the lenses produce means that for my tastes, I'll be using them stopped down at least one stop. Once they are stopped down by one stop, everything looks sharp, and the chromatic aberration goes away. The 85mm seems to be the worst offender, as the image is not clear until around T4 / T5.6. And both the 28mm and 35mm seem to hold up better then the 50mm or the 85mm. Overall, I'm happy with the results as they bear out what I have experienced first hand when using these lenses in a production environment. I'll be using these lenses in the T2.8 - T8 range going forward. Download the stills after the jump.