Ryan E. Walters, Cinematographer

Cinematic Excellence at 24 Frames a Second

The Curse Of The Perfectionist: Why My Work Is Never Good Enough

Still From The Short: Two Wolves

Ever since childhood, when I began drawing and painting, I've been seeking to take the images in my head and make them a reality. At the end of every attempt, I would look at what I had created... and all that stood out to me were the flaws- what I could have done better. It was never good enough for my standards. This same drive (or curse... ) for perfection continues to follow me to this day. No matter what the size, scale, or budget level of the project, when I look at what I've created, all I can see is where I need to improve.

This is not to say that I'm not happy with my work. I am. But I know I still have a lot of room to grow in my craft. It is because of that push for growth that I am always critically evaluating my own work. So I thought it would be a good exercise to share with you what I see as my mistakes in a recent short film that I shot.
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The Secret To Delivering Great Images Within Tight Deadlines

Test Frame: Experimenting With Gels

Earlier this week I received news from my writer & director friend AJ Brooks that the short I DP'd for him won first place in last months DVXuser fest. To add a little perspective, this film was shot over two nights with a volunteer crew of five (AJ & myself count as 2 of that 5), and then edited and delivered it four days later. The news of this win reminds me yet again that the secret to great images with tight deadlines is not in using fancy gear and large crews, but it is in spending the time in preproduction developing a solid plan and testing it out beforehand.

Here are the two steps I took to set us up for success.
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Three Reasons Why It Is Bad Business To Be A Cinematographer

Photo By: Levi Moroshan
As someone who is committed to lifelong learning and continual self-reflection, this last year has brought with it an evaluation of where I'm at and where I am headed. I've come to the conclusion, after a lot of soul searching, that it is bad business to be a cinematographer. That is not to say that I do not love what I do. I feel very blessed to be paid to do what I love. I still can't believe that people give me money to do this! But that doesn't mean it makes for good business. Here are three reasons why it's bad business, and what I wish I knew 5-10 years ago.
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Who Are The Best Stock Sites To Sell To? (Stock Video Part 03)

Still From Ryan's Library
With the myths of stock footage dispelled, and the important issue of exclusivity addressed, it is time to take a look at the major stock footage houses and decide who you should be selling too. Not all stock footage houses are created equal. Some treat their contributors better than others, and some generate more sales than others. And, unfortunately for us, they don't always line up. The recommendations that follow come from my years of firsthand experience...
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To Be Exclusive Or Not To Be? (Stock Video Part 02)

With the myths of stock footage clearly dispelled, it is time to answer the age old question of exclusivity. In the stock footage world, this is a topic that is hotly debated with strong proponents on both sides of the issue. As someone who has experienced both sides of stock footage, I want to share with you my experience so that you can make a more informed decision with your career.
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